Konstruktivists - A Dissembly LP+7" Flexi


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Label: Dark Entries

Our Review:

Konstruktivists was essentially the solo project of Glenn M. Wallis, who had been affiliated with Throbbing Gristle as something of a bouncer / heavy, given the rather suitable title in some texts as their "control agent." Would you really think that Genesis P-Orridge could take and/or throw a punch? No, Glenn Wallis did that for TG. After their mission was terminated in 1980, he began to explore the darker regions of electronic music and deconstructed minimal wave under those variously spelled Konstruktivists recordings, as well as maintaining an artistic relationship with Chris & Cosey and moonlighting as one of the revolving door members for Whitehouse on stage and on record. A languid synth melody introduces the record with a deathly pall resembling that of a Tibetan thighbone horn (whose eerie bleats graced Lustmord's Heresy album), that slides into a deliciously turgid piece of DIY garage-electronica for creeping drum machine and distorted basslines sounding like those great tracks by Cabaret Voltaire from way back when. A slippery piece of step sequenced synths on "Karnage" much more of a darkly kosmische vibe taking up the sci-fi electronica of Conrad Schniztler. The plodding "Karnal" follows the murky, abstractions that TG created with a distant, heavy drum machine, atonal guitar formations, and subliminally suggestive media collages. Wallis mostly fashioned his disenchanting rhythms and electronics to be instrumental, and when vocals did creep into the mix they tended toward a bleak monotone.

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