Yoshio Ojima - Une Collection des Chainons I: Music for Spiral 2xLP

$36.98

Label: WRWTFWW

WRWTFWW Records announce a reissue of both volumes of Yoshio Ojima's superb environmental music project Une Collection Des Chaînons I And II: Music For Spiral, originally released in 1988. The twenty-track opus is sourced from original masters and includes liner notes in English and Japanese. This marks the inaugural release from the Esplanade Series by WRWTFWW Records, which focuses on the works of Ojima and friends. Une Collection gathers selected music pieces conceptualized and produced for sound-designing the Wacoal Art Center in Aoyama (Tokyo) also known as Spiral, a hub for a wide range of sophisticated cultural proposals spanning visual arts, theatre, music, design, fashion, and lifestyle. Spiral is a monumental work of architecture by Fumihiko Maki, designed according to the principles of Metabolism, a movement advocating evolving designs and constructions, adapting to human needs naturally. The first volume flows from the eerie and levitating "Entrance" to the quirky "Esplanade (Live)," the gentle and reassuring "Flius," and the measured and ravishing escalation of "Mensis." On the second volume, the nanoscopic neoclassical lullaby "Les Trois Grâces" brings attention to the importance of small details, "Pulse at Soothe" starts with the minimalism of a Satoshi Ashikawa piece and slowly drifts into mystical landscapes and cavernous echoes, "Entomology" and its melancholic artificial forest evokes a Twin Peaks mirage, and "Atrium" literally feels like a floating visit of a gigantic open space structure. Sitting alongside Midori Takada's Through The Looking Glass, Ashikawa's Still Way, Hiroshi Yoshimura's Green, or Yutaka Hirose's NOVA, as a pivotal work of Japanese environmental/ambient/minimalist music, Une Collection des Chaînons (which translates as a collection of links) is a delicately laid out sonic landscape connecting space and emotions, architecture and humanity, adjusting and transforming through the ears of the listeners. A note from Ojima: "Please listen to this album at around the same volume as daily life sounds such as air conditioners and refrigerators."

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