BJ Nilsen & Stilluppsteya - Goda Nott LP


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Label: Editions Mego

Our Review:

The first three records from BJ Nilsen & Stilluppsteypa were a trilogy dedicated to alcohol and wintery drones, as semi-fictions about getting really drunk sometime in December and nearly passing out in a snowbank while gazing up at the northern lights. Goda Nott is something of an extension of these ideas, except maybe for the alcohol part. Sometime in the winter of 2011 / 2012, this trio found themselves snowed in at Stilluppsteypa's Icelandic studio with no food or water; and no way of getting out until the snow began to melt away. While they did sleep as much as they could to pass the time, they also busied themselves with recording the sounds of the snow, ice and wind, attempting to monitor what - if any - activity may exist beyond their frozen enclave. The possibility of any existence beyond their own became uncertain, where any rustling of the snow could be a footstep or a resonant tone could be a snowplow. Through their indeterminate amount of time in that studio, they smeared these field recordings into rumbling drones and static tones that mirrored the onset of their collective madness, made audible in the crazy sounding whistling that one of them fastens to the blustery isolationism of the first side of Goda Nott. The second side is even more desolate than the first, rivaling Kevin Drumm's Imperial Distortion for the most empty, most gasping, most claustrophobic slab of audio bleakness we've ever heard. This is a radical turn away from the melancholy kosmiche electronica of their previous two albums Space Finale and Big Shadow Montana; but they are also rendering something wholly new to the bad-ass dronescaping they mastered early on. So fucking good.